![]() “It’s a playground that we can share all together,” Michele said. The film closes with one of those crystalized heart minaudières lifting into the air. After walking the gauntlet of old-fashioned cameras that lined the runway, like superstars working a red carpet, the models paused in a darkened anteroom before pouring out into an imaginary forest where they cavorted with white horses, peacocks, and cockatoos. Hence the music video he made with his friend, the filmmaker Floria Sigismondi. They visualize Gucci a million different ways, a million different times,” he said in a one-on-one Zoom. “Young people look at the brand as a platform, a place. Michele gets that on a fundamental level, and he understandably relishes that he’s a culture maker as much as a designer of clothes and accessories. The truth of it though is that Gucci is as pop as fashion brands come. & Rakim that predate his arrival at the label by decades became embroideries and prints-Easter eggs for those in the know. Claquette gucci de cher ioffer, je lai ais depuis 3 mois elles sont de très bonne qualité est vraiment bien faite, franchement rien a dire. Lyrics from songs touting Gucci by the Cramps and Eric B. But to make his point, Michele’s sampling went beyond famous Gucci-isms and Demna Gvasalia nods. Each item chosen by the House's archivists is put back into the hands of artisans to begin a new chapter as a Made-to-Treasure wonder. He also reprised one of Tom Ford’s greatest hits, the red velvet tuxedo from fall 1996 that Michele said “made Gwyneth Paltrow famous,” with tweaks including new, more pronounced shoulders, a leather harness, and versions for both men and women.Īt the press conference, Michele spoke about the house’s 100-year legacy and “the power of the Gucci brand.” That legacy will play out on big screens around the world when Ridley Scott’s House of Gucci film starring Lady Gaga and Adam Driver is released later this year. Vault is forever in pursuit of precious pieces from the past that portray unique facets of Gucci's heritage. Michele picked up on Gucci’s equestrian codes, giving them a fetishistic spin-one model cracked their whip as they made their way down the runway. Gucci Guilty Absolute pour Femme was launched in 2018. ![]() ![]() Not unexpectedly it reexamines the house’s history this is standard operating procedure on anniversaries. Gucci Guilty Absolute pour Femme by Gucci is a Chypre Fruity fragrance for women. Michele’s new collection is a celebration of that milestone, and in his fashion it’s a fabulously idiosyncratic one. Lil Pump kicked things off with “Gucci Gang.” Rick Ross and Bhad Bhabie rapped about a “Green Gucci Suit” and “Gucci Flip Flops,” respectively, and Die Antwoord, with an assist from Dita Von Teese, crooned about “Gucci Coochie.” Alessandro Michele, the house’s creative director, is a one-man hit factory-but of course he has a lot of good material to work with. ![]() For the finale, the twins emerged from opposite sides of the set, stretched their arms across the runway, and joined hands: Alike, but not alike, as Marianne Faithfull intoned on the soundtrack.The soundtrack to today’s Gucci show indicates just how deeply the Italian brand has penetrated the zeitgeist. Then the wall of photos lifted, revealing another set of bleachers and another set of models wearing identical looks. The Gucci creative director played up the intrigue here, dividing the audience in two via a partition lined floor to ceiling with portraits of twins and look-alikes by Mark Peckmezian and staging two simultaneous shows without either half understanding until the last models made their way down the runway. There’s something captivating, even uncanny, about twins-we’ve all seen the photo of Michele and his friend Jared Leto, tuxedoed doppelgängers at the 2022 Met Gala. Mum Eralda and Mum Giuliana “shared a genetic solidarity but, above all, they shared an intimacy which was inaccessible to others.” “I am the son of two mothers,” the show notes began. Michele, it turns out, is the child of an identical twin. Alessandro Michele’s concept this season-widely whispered about earlier in the week it’s hard to keep 68 sets of twins a secret-was a reflection on identity and otherness. “Welcome to Twinsburg,” read the subject line. In the minutes before today’s Gucci show, an email came in.
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